{"id":34519,"date":"2018-07-13T09:28:17","date_gmt":"2018-07-13T07:28:17","guid":{"rendered":"https:\/\/foliobooks.pl\/?post_type=product&p=34519"},"modified":"2022-09-20T12:42:20","modified_gmt":"2022-09-20T10:42:20","slug":"matisse-cut-outs","status":"publish","type":"product","link":"https:\/\/foliobooks.pl\/en\/shop\/matisse-cut-outs\/","title":{"rendered":"Matisse. Cut-outs"},"content":{"rendered":"

Henri Matisse (1869\u20131954) was a fighting spirit. Despite a cancer diagnosis in 1941, increasing frailty, and the confines of a wheelchair, the indomitable Frenchman never stopped in his quest to make art. With what he called une seconde vie<\/em>, a second life, he embarked on a remarkable collage period, cutting and pasting pieces of colored paper into gouaches d\u00e9coup\u00e9es<\/em> of birds, plants, flowers, and the female form.<\/p>\n

Emphasizing color and contrast, the cut-out technique generated both striking lines and vivid juxtapositions. In works such as Icarus<\/em> (1943), The Blue Nude<\/em> (1952), The Snail<\/em> (1953), and The Sheaf<\/em> (1953), clean forms and elemental structures power a compositional force that belies the work\u2019s decorative appeal, at once tightly organized and infectious with joie de vivre<\/em>. As his work progressed, Matisse\u2019s excitement with his results fueled ever-larger pieces, advancing from small works to vast wall-sized murals.<\/p>\n

As his final years approached, Matisse reveled in the simplicity and brilliance of these pieces, avowing, \u201cOnly what I created after the illness constitutes my real self: free, liberated\u2026\u201d In this essential introductory book, we revisit this joyful final chapter of Matisse\u2019s long and prodigious career, examining how the cut-outs encapsulated the artist\u2019s many years exploring the possibilities of composition, form, and color.<\/p>\n","protected":false},"excerpt":{"rendered":"

Henri Matisse (1869\u20131954) was a fighting spirit. Despite a cancer diagnosis in 1941, increasing frailty, and the confines of a wheelchair, the indomitable Frenchman never stopped in his quest to make art. With what he called une seconde vie, a second life, he embarked on a remarkable collage period, cutting and pasting pieces of colored…<\/p>\n","protected":false},"featured_media":34670,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"product_brand":[],"product_cat":[4522],"product_tag":[208,9083,2767,1702,152,2834,11453,1066,151],"class_list":{"0":"post-34519","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-art-en","7":"product_tag-animals-en","8":"product_tag-art-en","9":"product_tag-art-history","10":"product_tag-artists","11":"product_tag-collage","12":"product_tag-flora","13":"product_tag-paper-en","14":"product_tag-portraits-en","15":"product_tag-women","16":"pa_author_att-gilles-neret-en","17":"pa_cover-hardcover","18":"pa_format-21-x-26-cm-en","19":"pa_isbn-9783836534277-en","20":"pa_language-eng","21":"pa_pages-96-en","22":"pa_published-2016-12-24-en","23":"pa_publisher-taschen-en-en","25":"first","26":"outofstock","27":"sold-individually","28":"shipping-taxable","29":"purchasable","30":"product-type-simple"},"yoast_head":"\nMatisse. 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